Radhika Rajamani talks about meeting the Telugu megastar and how she was bowled over by his simplicity and humility.
Director Uday Shankar provides a cliched storyline with a reasonably okay screenplay but Ravi Teja makes Baladoor watchable. The movie has all the ingredients of a potboiler.
Kathanayakudu is a worthwhile watch for Rajnikanth and Jagapathi Babu's endearing performances and the climax.
The Telugu actress relives some of the moments when she got to direct the Tamil superstar.
Ullasanga Utsahanga is watchable for its feel-good and youthful appeal.
Victory is watchable because of its contemporary social theme. Director Ravi C Kumar wants to tell people to unite and fight for what is rightfully theirs. Nitin does a decent job, while Mamta looks glamorous.
Ready is very much a stereotypical love story. The cute, lead pair Ram and Genelia makes the film watchable.
Kamal Haasan thanked the people of Andhra Pradesh for making his film, Dasavathaaram a hit in the state during a tete-a-tete with the media on Tuesday evening.
K. Sathyanarayana [Satish] talks about how it feels to win a national award for his Telugu film, Hope.
As the countdown of Kamal Haasan's Tamil film, Dasavathaaram begins, Suresh Krissna reminisces about his association and relationship with the actor whom he directed in three films Sathya, Indrudu Chandrudu and Alavandan.
Pandurangadu, directed by K. Raghavendra Rao has good performances by Balakrishna, Tabu, Sneha, K.Vishwanath, melodious music by Keeravani, some good locales shot well by Jayaram. All in all a refreshing alternative to the current crop of movies.
Devisri Prasad outlines his experience of working with his biggest idol Kamal Haasan in this mammoth project, Dasavathaaram.
Bujjigadu, Made in Chennai is routine formula fare with some slick treatment by Puri Jagannath. Prabhas and Trisha make a good convincing pair.
Director Puri Jagannnath spins a routine yarn in the Telugu film, Bujjigadu, Made in Chennai. Filled with Jagan's usual -- loads of violence, a wafer-thin story and the regular masala -- the film, of course, is slick. But the screenplay's premise is flimsy and seems forced where Jagan weaves in the elements of gang rivalry and the hero's super image.
Watch Kantri for NTR. The actor is simply superb in his action and dance sequences. Otherwise, the movie has nothing much new about it.
Simran makes a real comeback with this film and proves herself. Alas, her shining alone is not enough.
Radhakrishna Jagarlamudi's on the success of his directorial Telugu debut Gamyam, which is making waves in Andhra Pradesh.
Idi Sangathi fails to engross despite the presence of Tabu and Abbas. While the theme is good, the treatment is insipid. Chandra Siddhartha's effort is a dampener.
Visakha Express is quite a letdown as it finally peters down to be a case of personal vendetta. The suspense is not enough to keep the audience engrossed and the fairly decent performances by Allari Naresh and Rajeev Kanakala may not be of much help in making the film run.
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